THE WORD
      
      
      
      
      
      THE TIMES
      
      
      
      
      
      UNCUT
      
      
      
      
      
      
      
      
      ROCK SOUND
      
      
      
      
      
      THE INDEPENDENT
      
      Don't be fooled by the "Denver" in his name. He's all Swede. Not unless
      you count Jonsson's feel for the more romantic tropes of American indie-folk. 
      Yes, Neil Young is traceable in his voice and in some of his melodies, but 
      really this is the fuzzy introspection of M Ward and his ilk: quiet choogling 
      in the face of a stand-offish, underwhelming nature. Why should you bother, 
      when there's such a lot of this stuff around? Well, the aforementioned tunes 
      can be lovely, as can the arrangements (strings and all); and Jonsson's Swedish 
      way with a meteorological/seasonal image is striking. "Stay pale and stay warm" indeed.
      
      Download this: 'The Border': it's out there, you know
      
      
      
      
      THE SUN
      
      Rating ****
      
      FURTHER proof Americana is a state of mind comes with the new album from this Swedish singer.
      Against a backdrop of acoustic instruments, with pedal steel well to the fore, Thomas evokes 
      dusty trails and wide American skies.The Swedes seem particularly good at finding their musical 
      feet among the likes of Bonnie Prince Billy and this is a prime example.The delicate Only For 
      Beginners could almost be Bonnie Prince at his most tender, while the dreamy One Of My Blessings 
      again exhibits a rare lightness of touch. In a crowded marketplace, this album stands out. SC 
      
      
      
      AMERICANA UK
      
      
      Rating 8/10
      
      Thomas Denver Jonsson "The Lake Acts Like An Ocean" (Kite Records 2007)
      
      A truly independent recording best when it stays close to home
      
      Thomas Denver Jonsson is the alias of Thomas Jonsson. Now I could be wrong but isn’t 
      the point of an alias to disguise your true identity? Just sticking Denver in the 
      middle just won’t do.
      
      That aside, The Lake Acts Like An Ocean is not only independent in content, defying
      easy labeling it’s also independent in spirit which is far more important. You take 
      Jonsson’s music on his terms or not at all. Although the latter may not be an option 
      once you’ve listened to it.
      
      Jonsson seems perfectly at ease following a slice of gentle rock 'n' roll with one 
      that is essentially poetry with a backing track, so What I Dream finds itself jostling 
      for elbow room with The Border and Only For Beginners. The Lake Acts Like An Ocean is 
      at its very, very best when it’s at its most intimate, Like Friends Fully In Love is 
      deeply confessional and is a song so simply but powerfully told, that it feels surrounded 
      by an inky blackness.
      
      It is matched in its intensity by Possession and She Runs In Slow Motion, when Jonsson cuts 
      he cuts deeply. He is a brave and incisive musician not afraid to let his songs fend for 
      themselves, with only minimal assistance all not only survive but thrive, The Lake Acts Like 
      An Ocean is not so much about the singer as the song. There are even two little gems of instrumentals, 
      The Tap Dancers Union is as light on its feet as its name suggests it should be while Sacha Distel is 
      one of those unforgettable moments when a musician sits down and plays with no thought for anything else. 
      You don’t have to listen too hard to hear the concentration and will that Jonsson expends on it.
      
      With this album Jonsson closes off his music, it exists here and the magic it creates could 
      happen nowhere else.
      
      
      Date review added:  Tuesday, February 12, 2008
      Reviewer:  Michael Mee¨
      
      
      
      Jambase
      
      This is one of the best albums you'll hear in 2008. Given the short attention span nature of 
      many folks these days it seems prudent to get the punchline out before the set-up. Mayhap now 
      you'll stay to let me argue the case of Sweden's Thomas Denver Jonsson, a singer-songwriter of 
      Bonnie Prince Billy and Cat Power proportions that's thus far flown below the radar of most in 
      the States. On a slow rising arc since 2003, Jonsson has made deeply grooved inroads into the 
      human condition, peeling away with poetry, melody and instrumental ingenuity the sticky layers 
      of relationships, perhaps most poignantly one's relationship to themselves and to love, in the 
      archetypal sense. At the risk of overloading his work with praise, Jonsson possesses an unerring 
      ability to make us sing our way into ourselves and one another, and he's never been more reverberantly 
      "on" than his third full-length, The Lake Acts Like An Ocean (Kite).
      
      My moment sinks to the well
      Please grant me your border
      I revalue next step every single day
      I lie next to the horizon
      Your blue voice surrounds me
      Guided by few, my grip bleaches
      Your face is indulging
      The border is rising over the trees
      I hear it calling, calling for me
      
      Strumming on a basement guitar and singing in a voice cracked, unvarnished feeling seeping 
      through the breaches in his burnished wooden pipes. Jonsson is a pure songwriter, choosing the 
      right setting, the right tones and colors, to fit each shifting mood. Where earlier releases 
      downplayed his diversity a bit, here he steps boldly away from folksy tropes, adding electricity 
      and rhythm with an assurance that echoes Iron And Wine's evolution the past few years. Lake contains 
      huge sweeps in mood, from the naked tenderness of "Only For Beginners" to the phosphorescent, 
      hold-your-breath shimmer of "Possession" to Townes Van Zandt-esque instrumental "The Tapdancers' Union" 
      to the ringing carousel twirl of "She Runs In Slow Motion." Rather than feeling scattershot, Jonsson 
      has crafted something cohesive, tightening each piece into sharp focus, with the whole feeling like a 
      series of beautifully constructed wide shots and close-ups.
      
      The love his band, The September Sunrise, feels for his tunes is obvious in their patient nuances and 
      exposed emotion that matches Jonsson's innate honesty. Fredrik Wilde (electric guitar, pedal steel), 
      Tomas Lindberg (bass), Henric Stromberg (drums, percussion, vocals) and Carl Edlom (electric guitar, 
      piano, organ, percussion, vocals), who also produced and  engineered Lake, deserve a healthy portion of 
      the credit for the overall vibe here. One would be hard pressed to find a more inviting records that also 
      dishes out this level of truth telling. Their intuition for arrangements and textures, down to the tuba 
      (courtesy of guest Anders Jonsson) that ushers out the final notes of "Love Campaign," speak of a collective 
      personal investment in getting these songs across. One feels that group energy throughout in these descendents 
      of Michael Nesmith's First National Band and Linda Ronstadt's early '70s bands.
      
      For anyone flipping their lid for Bon Iver, South San Gabriel or other multi-faceted strummers of our shared 
      ache, The Lake Acts Like An Ocean is something special most fans of thoughtful rock will be richly rewarded by. 
      'Nuff said.
      
      Someone you love has flown to the sea
      For a better cause of the season
      Down where the trees are made out of gold
      Down within love campaign
      
      
      
      
      ROCK N REEL